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the worst book you ever read
Here's material for a meme, no doubt: what was the worst book you ever read, and why?
A quick search around the web, however, turns up several lists of notoriously bad films (e.g. Wikipedia's "Films considered the worst ever"), and indeed there's an annual award for bad films, the Razzies, but I can't immediately find anything similar for fiction.
There is the Bad Sex in Fiction Award; and also the Bulwer-Lytton Fiction contest, "wretched writers welcome." But nothing for entire books, so far as I can see.
[Update: I now see that The Observer started such a discussion a couple of years ago, though even in starting the debate Stephanie Merrick (who picks Wuthering Heights) notes that "if favourite books are subjective, nominating the 'worst' books is even more so". The ensuing comments, over 1100 of them, can be found here.]
Of course, a document such as the Vatican's Index librorum prohibitorum tried to establish some theologically-validated consensus on what makes a bad book. But not only is the question of moral danger rather different (if not altogether so) than the issue of aesthetic failure; also even the Vatican eventually gave up any attempt to distinguish between bad and good when it comes to literature.
Perhaps that's because there are just so many more books--and therefore so many more bad books than bad films. There are too many contenders. But perhaps it's because there's much less unanimity on what makes for a bad book than on what makes for a bad film.
Here's my contender for at least one of the worst books I've ever read... and what makes it even worse is that it's a trilogy.
Many years ago a co-worker and friend lent me Robertson Davies's The Cornish Trilogy (which consists of The Rebel Angels, What's Bred In The Bone, and The Lyre of Orpheus), telling me I must read them. And read them, I did; every word. Perhaps my effort to continue through these three thick tomes indicates some kind of masochism. Because almost every sentence I found ponderous, overwrought, and yet strangely banal.
I'm really not sure why I persevered in the effort. Maybe I thought that at some point Davies simply must turn the corner, that things had to improve. But no: the oh so slow trainwreck of language and plot continued inexorably, each sentence and each page as poor as the previous one. The trilogy was long; it was tedious; it was pretentious. And it gave no pay-off whatsoever.
Fortunately, I have repressed almost all memory of the books themselves. I only have the memory of the execrable experience I spent reading them. An experience I would be loath to repeat.
Meanwhile, I now find myself in a land in which Robertson Davies is a literary hero. The Canadian Encyclopedia declares that he is "acknowledged as an outstanding essayist and brilliant novelist". And I should admit that a couple of my other contenders for worst books also emanate from the Great White North--not least Elizabeth Smart's By Grand Central Station I Sat Down and Wept, though that at least has the benefit of a decent title and a commendable brevity.
But I should assure my Canuck hosts that there's no Canada-bashing here: I love the novels of Leonard Cohen and Michael Ondaatje, for instance. But Robertson Davies? Forget about it.
Crossposted from Posthegemony.
By Jon | January 10, 2007 in Banality, Books, Boredom, Bourdieu, Canada, Hogwash, Incredible Bad Taste, Literary Theory | Permalink
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The Stuffed Owl, anyone?
Posted by: Matt | Jan 10, 2007 1:08:58 PM
You read the wrong Davies: The Deptford Trilogy is far superior to the tired, hackneyed Cornish Trilogy.
Posted by: Scott Eric Kaufman | Jan 10, 2007 2:39:01 PM
On my first reading of both Gender Trouble and Zizek's On Belief I through the book across the room. Only later did I appreciate them. I guess my point is that I can't really think of a bad book (I don't finish them)--I can only think of times when I've been a bad reader.
Posted by: Jodi | Jan 10, 2007 3:01:08 PM
Actually, a post elsewhere reminded me of my recent worst - Rupert Thompson's Divided Kingdom. I'm usually in the market for this sort of stuff, but this one was teh suck.
And, along the same lines, I found Ishiguro's Never Let Me Go rather let goable. Tepid - the only possible way that it becomes interesting is if I imagine it as an archly-performative instantiation of affectless boredom unto death that rules the roost today. But, really, I don't think that's what it was.
Posted by: CR | Jan 10, 2007 3:19:44 PM
oh, and Charlie Stross's recent Glasshouse. Unreadable. Accelerando was OK; this new one was not...
Posted by: CR | Jan 10, 2007 3:25:04 PM
Scott, maybe; but you'll forgive me if I don't rush to give Davies another try.
Meanwhile and in line with Jodi's comment: thinking about bad books (as I am these days), I agree that it's difficult sometimes to distinguish between bad books and bad readers. Or rather, what I'm coming to think of as (non)readers; unwilling, un-ideal, resistant readers.
There's a lot more that could be said here, of course. Not least that those of us who teach and study literature for a living are trained to be (non)readers, to read resistantly and against the grain etc. This may lead us to be readier to pronounce books bad. And indeed, we're often accused of precisely this confusion: that our sniping about literature results from our refusal simply to sit down and let ourselves enjoy it.
Posted by: Jon | Jan 10, 2007 3:50:54 PM
Susan Sontag's 'The Volcano Lover' and Zizek's 'Welcome to the Desert of the Real' are both hideous pieces of trash--the first for ugliness of prose, the second for having not a single idea worth paying attention to in it, in short, essentially destructive fakery but puny anyway.
'Hans Brinker or The Silver Skates' is also incredibly bad (Ms. Dodge just forgets about Hans after awhile and you don't have anything but this frozen river) and for lovers of arcane antideluvianism, there is the worst Hollywood novel I've ever read 'The Big Nickelodeon' by Maritta Graf.
I also hate 'The Christmas Stove', 'The Magic of Oz', 'Mystery of the Spinning Strings', and Brad Gooch's shit gay novel 'The Golden Age of Promiscuity.' 'Lana: The Lady, the Legend, the Truth' is disgraceful even by diva lit standards, but O.J. Simpson's masterpieces top them: 'I Wanna Tell You' and 'If I Did It.'
Posted by: Patrick J. Mullins | Jan 10, 2007 4:06:22 PM
I remember hating "The Great Gatsby" with a passion. I can't understand - and I still can't understand - why anyone considers it a classic. Except, of course, as a classic example of all sizzle and no steak. I recall the billboard with the glasses a particular painful passage.
Posted by: Craig | Jan 10, 2007 4:23:48 PM
D.H. Lawrence: Women in Love.
Laurie Colwin: A Big Storm Knocked It Over.
Posted by: et alia | Jan 10, 2007 4:44:49 PM
I love 'The Great Gatsby'. It's maybe even better than Norman Mailer, but I love 'The Deer Park.'
Posted by: Patrick J. Mullins | Jan 10, 2007 4:58:39 PM
(Mark C. Taylor's Hiding because it inadvertently justifies the entire goofy genre of which Culler's Literary Theory, Christopher Butler's Postmodernism, any cultural pronouncement by Alan Sokal, (to a lesser degree) Terry Eagleton's After Theory or the preface to Theory's Empire are established, lazy and redundant hallmarks.)
Blanchot's The Most High is bad too (maybe cause he's trying to be Sartre?)
I know it's not necessarily what you were disputing, Jon, but shouldn't one also be wary of the generic injunction "just to enjoy" a book - especially grown now as it is to something of a universal middlebrow/Barnes&Noble commercial dogma (including the 'reading as vitamins' line, or the McSweeney's reactionaries) – in essence a veiled snobbery (against so-called "elitist" or "difficult" books) that should be resisted, at least in principle?
Another popular meme that comes to mind is of course: notoriously bad books (or poems) by otherwise great writers..
Posted by: Matt | Jan 10, 2007 5:18:42 PM
The Deer Park had an element of repressed sexuality/soft porn to it, I thought, sort of akin to Updike's Rabbit series.
Posted by: Matt | Jan 10, 2007 5:22:19 PM
I should add: attending a Canadian high school, taking Canadian high school English, I have to say that no single piece of CanFiction was particularly good or enjoyable. (Notwithstanding the high probability that nothing taught - or as it is taught - in high school English is any good.) I recall Margaret Laurence being particularly grueling. Suffice to say I have not read any CanLit since high school. I don't watch or listen to the CBC either. I'm either a good Canadian or a poor one - depending upon who you ask, I guess.
Posted by: Craig | Jan 10, 2007 5:30:29 PM
Now, "repressed sexuality/soft porn": is that good or bad?
Matt, indeed I'm not suggesting we should necessarily just "enjoy." (Though another meme would be guilty pleasures: bad books we are almost ashamed to admit we like.) Rather that there's something a little perverse about the way that we pride ourselves on being what amounts to "bad" readers of what we end up judging "bad" books.
Craig: Beautiful Losers.
Posted by: Jon | Jan 10, 2007 5:48:11 PM
is that good or bad?
Oh, just somewhat dully...American, maybe.
Re: guilty pleasures
Posted by: Matt | Jan 10, 2007 5:57:50 PM
Not sure--yet Patty Krenwinkle's PIG is up there. As Top 10, cyber-poetics. Best, that is.
Posted by: Billfweenkle | Jan 10, 2007 7:28:35 PM
'The Deer Park had an element of repressed sexuality/soft porn to it'
Since it was 1955, it could seem like 'soft porn' to someone with no feeling for the period, whereas it was quite daring if you
consider what that period was. I have no idea what you could mean by 'repressed sexuality'. If anything, much of what was around it was 'repressed sexuality', but it was not.
Jon writes:
'Now, "repressed sexuality/soft porn": is that good or bad?'
Matt answers:
'is that good or bad?
Oh, just somewhat dully...American, maybe.'
That is simply and purely repulsive and one of the stupidest things I've ever read. What you'd explain about what you said before would therefore just amount to more irresponsible bullshit.
Posted by: Patrick J. Mullins | Jan 10, 2007 8:08:24 PM
Sorry to offend your sensibilities, Patrick. I liked Deer Park, really (just as I like Updike, though he came a little later). Care to elaborate on your comments about the period (or upon any difference between countries, I wonder)?
Posted by: Matt | Jan 10, 2007 9:12:53 PM
I remember hating "The Great Gatsby" with a passion.
It's an American thing, along with the soft porn, the repression, and the works. Someone in Canada should write a redux of it, but about Tim Hortons and Alberta oil sands instead of the green light and the Hamptons.
D.H. Lawrence: Women in Love
Oof. Don't tell my students this semester. They always hate it, everyone knows that it's unteachable, soul-destroying, but I just keep assigning it. Who knows... these are grad students this time - maybe they'll perversely love it like me.
Posted by: CR | Jan 10, 2007 10:21:05 PM
I always thought Gadamer's Truth and Method was such a fake book. It gives itself all sorts of loopholes for its argument.
Posted by: Swifty | Jan 11, 2007 6:25:36 AM
"Blanchot's The Most High is bad too (maybe cause he's trying to be Sartre?)"
Matt, in a recent comment thread you mentioned taking responsibility for what you write, so could you unpack or elaborate on this comment of yours?
Perhaps you would also care to comment on Blanchot writing that there is no such thing as a bad book.
Posted by: Amie | Jan 11, 2007 11:00:58 AM
Dee H: sort of lightweight pagan fascism for dykey schoolmarms. Lord Russell hisself repudiated that knave
Posted by: Kerensky | Jan 11, 2007 11:10:49 AM
Sure Amie. Only that I found it tiresomely long, overdone and somewhat mediocre compared to the electric, original pulse of Blanchot's other books (an admittedly high standard). It also seemed to me to mimic a certain genre. I didn't mean anything profound though, and maybe I should look again.
Posted by: Matt | Jan 11, 2007 11:52:16 AM
I am having difficulty gaining traction with Gass' The Tunnel. Seems like a lot of flash & trash on themes better handled by Boris Pekić in How to Quiet a Vampire.
Posted by: nnyhav | Jan 11, 2007 12:21:05 PM
Charkrabarty's Provincializing Europe got me pretty steamed. Unforgivabley naive marriages of Heidegger and Marx in the service of total meaninglessness.
Re: throwing books - my fave philosophy teacher threw up all over his copy of the phenomenology of sprit first time he tried to read it - such was the extent of his generosity, wanting to be a good reader and all. He's since become the best teacher of Hegel i have encountered.
and I have to ask, Matt, is Hiding actually worse than the books you claim it justifies? isnt the greater sin unquestionably addressing a parade of misreadings; a la Habermas on D. in PDM?
(and eagleton and sokal in the same genre? is that really fair?)
Posted by: squibb | Jan 11, 2007 1:40:40 PM
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