Long Sunday
‘You are reserved for a great Monday!’ Fine, but Sunday will never end.—Kafka

Continuation, continuation

1. In a recent lecture entitled ‘War as Politics, Politics as War’, Etienne Balibar elegantly locates the central aporia of Clausewitz’s On War: the factor that led to that text remaining unfinished and, to its author’s mind, radically in need of revision. The problem lies in the ‘continuation’ that inhabits the famous definition of war as ‘the continuation of politics by other means’. There is a certain quarantining of politics that occurs here, as if politics remains ‘the logic’ and war ‘the instrument’. But Clausewitz’s formulation can also be read as a warning that ‘the violent means of war remain political means only if their own consequences and, again, retroactive effects on those who use them, their own “logic” do not escape the political rationality or subvert it’. And, with this possibility, there emerges a certain doubling in the definition of war.

What seems to be the case is that war, with respect to politics, has to be considered twice, from two different angles. It is not the whole of politics (since politics has other procedures than war, equally necessary), but it concerns and affects the essence of politics, which is revealed and, practically, determined by the ways in which it recurs to war, and the consequences on politics itself of the political use of the violent means of war. Certainly what Clausewitz wants to avoid (and we will see that it is not without difficulties, and that the question keeps haunting his successors) is to assert that recurring to war is the essence of politics, that the use of the violent means of war, with its logical and existential implications (such as the necessity to designate one or several “enemies”), defines the concept of the political, which in turn can lead to the reversal of the initial statement (namely that “politics is the continuation”, or the “consequence” of war). But Clausewitz wants (or needs) to be able to make the question of the use of war as an “instrument”, and the question of the converse effects of this use upon politics itself its crucial characteristic.

For Balibar, what is, for Clausewitz, an undesirable threat, namely, that politics might become the continuation of war, becomes legible only if considered alongside another three axioms that are central to Clausewitz’s argument: the strategic superiority of defence over attack, the distinction between limited and absolute war, and the primacy of moral over strategic factors in the history of wars. Each of these propositions must be read as supporting and qualifying the others but, both individually and in unison, they pivot on an ambivalence by which the ‘politicization’ of war threatens the rationality of politics. Clausewitz’s dilemma derives from his insistence that, at least in modern times, all wars must take the form of national and therefore nationalistic wars. This poses the problem of how to control the new popular power that emerged with modernity, requiring the state to permanently run ahead of its people’s passions. As Balibar puts it, Clausewitz faced ‘the military or strategic equivalent of the political problem faced by national states in general: how to “institutionalize the insurrection”, or harness the multitude’.

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By brett.neilson | June 12, 2006 | Link to “Continuation, continuation” | Comments (3) | TrackBack

Partisan of No Part

(The following is a guest post by Nate Holdren, who authors the blog, What in the hell...?)

In 1972 Mario Tronti presented a paper dealing with Carl Schmitt at the University of Turin. Whether beginning or example, this presentation is of a conceptual turn in which "Schmittian elements became part of a thoroughgoing 'Marxist critique of Marxism' which sought (...) to put a practical theory of power squarely at the centre of revolutionary theorizing." (Muller, A Dangerous Mind, 179.) The Marxisti Schmittiani exemplify the problematic relationship of "Karl und Carl" which Tronti later characterizes, albeit not critically enough, as foundational to political theory.

There are several aspects in Schmitt's Theory of the Partisan resonant with the sensibility of operaismo and subsequent developments which take Tronti's early work as a touchstone. One such similarity is the relationship posited between resistance and constituted power wherein the former forces the latter to attempt to render resistance productive of innovation in the forms of power-over. In response to the partisan's irregularity, there are produced "new concepts of warfare (...) along with a new doctrine of war and politics" (3), such as that embodied in the Prussian Landsturm edict of 1813. A similar point can be seen in the chapter on the working day in volume one of Capital, concepts and law are produced in response to working class struggle. Technology as well. "The partisan too participates in the development - in the progress - of modern technology and its science." (54.) Again there is a Marxian parallel: "It would be possible to write quite a history of the inventions, made since 1830, for the sole purpose of supplying capital with weapons against the revolts of the working-class.” (Capital v1, ch15.)

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By Nate | June 7, 2006 | Link to “Partisan of No Part” | Comments (4) | TrackBack

Tronti blogweave

Fractal

For your quick or leisurely perusal, the compilation of Long Sunday's recent symposium on Mario Tronti's "The Strategy of the Refusal", and some remarks.  The multitudinous, but alphabetised, contributions:

»Jon Beasley-Murray, The new barbarians
»Eric Beck, Minor refusals
»George Ciccariello-Maher, Class and subalternity
»Jodi Dean, Two questions on Tronti [follow-up]
»Roger Gathman Fantasy sites and the conquistadors of the planet
»Nate Holdren, Notes on "The Strategy of the Refusal"
»John Holloway, Adorno meets Tronti
»Doug Johnson, Intellectuals, the refusal of power, office workers' unions
»Brian Lamb, I would prefer not to bore you
»Craig McFarlane, Refusing to engage
»David McInerney, Tronti and Althusser
»Angela Mitropoulos, When will this labour end?
»Brett Neilson, Five theses on Tronti
»Stephen Squibb, Strategy of refusal of strategy
»Keith Tilford, How no can you go? Part I [Part II]

The preamble to the Long Sunday symposium, which includes links to related texts.  The relevant essay by Tronti is here, and a quick link to Long Sunday's Tronti folder

There were also a number of related posts elsewhere:  Destructive Creation, Northanger, Going Somewhere, Philosophy.com, pas au-delà, Attitude Adjustor. (Those are the most directly related to the discussion, though I wouldn't be surprised if I've missed some.)  And, not least, there is always the ongoing reading at Leggiamo Tronti.

My immense gratitude to all those who contributed their writings, readings and questions - those who simply took the time to read along with, and specifically those, such as Matt, who spent much time coding and uploading.

Already, Jon has the ball rolling for another reading, and I'm hoping that blogweaving continues, mutates and grows.  Not only because it creates a shared conversation that cuts across various blogs without converging along the one line, but also because - in ways that have yet to be fully explored - it marks an autonomy of writing, reading and research from the university that, particularly in times such as these, becomes an imperative.  Needless to say, what we read and write is related to how we read and write, no less than it is to the diificult questions of who, how and why this 'we' might appear, in that process.

Many thanks for the adventure.

By s0metim3s | March 30, 2006 | Link to “Tronti blogweave” | Comments (21) | TrackBack

When will this labour end?

Labouring against work. Mulling over the contributions and remarks made during the course of these readings, this is what strikes me as the first paradox, which is also the specific paradox of abstract labour and concrete labours that, in turn, characterises Marx's distinctive account of capitalism, that which brings all others paradoxes to the fore and makes them boil over. It's all about specificity, the difference and the cut. And is there anything more paradoxical than communism, a class politics that gears itself toward the abolition of class society? Operaismo - ie., workerism - against work. And Tronti's essay is nothing if not paradoxical.

Who would have guessed that a discussion of the refusal of work would result in so much toil?

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By s0metim3s | March 27, 2006 | Link to “When will this labour end?” | Comments (11) | TrackBack

Adorno meets Tronti

(This is a guest post by John Holloway, author of Change the World Without Taking Power.)

It is clear that non-identity is the hero, the centre, the moving force of the world as Adorno presents it.  But what do we understand by non-identity?  Is it just a philosophical concept or is the conceptualisation of a social force?  The answer, surely, is that we are non-identity.  The force that does not fit, the force that contradicts all identification, the force that overflows is subjectivity, we.  And who are we?  We are the subject, uncontainable within any definition.  We can say that we are the working class, but that makes sense only if we understand "working class" as a concept that explodes against itself, a concept that bursts its own bounds.

Continue reading “Adorno meets Tronti”

By Long Sunday Admin | March 27, 2006 | Link to “Adorno meets Tronti” | Comments (0) | TrackBack

Refusing to Engage

Reading Tronti has been somewhat of an experience.  Consequently, I'm not sure how to proceed with my comments because my reading of Tronti has alternated between fascination and boredom.  Perhaps these two responses to Tronti are closely related because, Tronti, who I've never read before, appears both as  new and sedimented.  Some of the ideas are quite familiar and in this respect we might speak of Tronti as an origin and thus an interesting spark of creativity, but, at the same time, his ideas have appeared over the past forty years in fragmented form, most notably in Antonio Negri and Paolo Virno. Fascination & boredom; new & old.

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By Craig | March 26, 2006 | Link to “Refusing to Engage” | Comments (6) | TrackBack

Tronti and Althusser

(This is a guest posting by David McInerney, editor of "Althusser & Us", Borderlands.*)

The following does not constitute a close reading of "The Strategy of Refusal", or its place within Tronti's work more generally.  Given other demands, the best I can do is relate Tronti's work to my recent study of Louis Althusser's defence/rethinking of the concept of the Dictatorship of the Proletariat and its relations to his "aleatory materialism".  For me, the affinities between Althusser and Tronti stand out most clearly with respect to their shared opposition to both Eurocommunism and Stalinism, the difficulties that both faced in grasping the immanent demise of post-WWII social democracy, and the irruption of neoliberalism into European politics (which I think Jodi Dean commented on).  And yet, it is perhaps because of this fact that their work remains valuable, considering the pre-Marxist dross of "radical democracy" (the reanimated Bernstein that passes for "post-marxism") that dominates Left thinking today.

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By Long Sunday Admin | March 26, 2006 | Link to “Tronti and Althusser” | Comments (0) | TrackBack

Intellectuals, the refusal of power, office workers' unions

(The following is a guest post by Doug Johnson, from The Weblog)

A critique of culture means to refuse to be intellectuals.  Theory of revolution means direct practice of the class struggle. - Mario Tronti, "The Strategy of the Refusal"

So far as I know, Steve Wright's tendentious and hackneyed monograph Storming Heaven: Class Composition and Struggle in Italian Autonomist Marxism is unfortunately the best (perhaps only?) English language, book length account of the movement from which Antonio Negri arose.  Wright is highly critical of Negri, and basically attributes the downfall of Autonomia to the forsaking by Negri and others of Tronti's insistence that there be "no intellectuals," that "theory of revolution" must always be undertaken by those who "direct[ly] practice class struggle" through time in the factory.

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By Doug | March 26, 2006 | Link to “Intellectuals, the refusal of power, office workers' unions” | Comments (15) | TrackBack

How No Can You Go?

    (The following is a guest essay by Keith Tilford, author of the weblog Metastable Equilibrium.  It is very long but, like everything on Long Sunday, hardly bored, or boring.  Update:  Part II is now here.)

Michael Blum, still from "Wandering Marxwards", 1999

What follows definitely took some liberties with a reading of Tronti.  I used “The Strategy of The Refusal” more as a point of departure than anything else, as I wanted to focus generally on the notion of refusal – on its creative/inventive capacities - and attempt to make visible some of the relationships between art practices since the 1960’s and the trajectory of operaismo and autonomia along with the theoretical works that have come out of Italy.  So perhaps in the spirit of Zizek’s book on Deleuze that he didn’t write, this can be my post on Tronti that I didn’t write.  The post is divided into four parts, the first two will be here at LS, but because of excessive length I’ll be posting the last two parts over at my blog if the reader is interested (one is a more in depth consideration of the work of artist Francis Alys, and the other on “anorectic subjectivities” which acts as a kind of conclusion).  This is really part of a wider research interest of mine, but I am very pleased that this symposium took place since it gave me the chance to return to some of those interest.  Call this a draft, then. Many of the themes taken up in the second part of this post are also adressed in Howard Slater's essay "The Spoiled Ideals of Lost Situations", which is meant to accompany a reading of the book Conceptual Art: A Critical Anthology, where most of the artist's writings I've used can be found.  Two artists that I have not been able to squeeze into this, but would highly recommend that anyone interested with what’s being said here check out are Thomas Hirschhorn (see here) and especially Santiago Sierra (a little about him here).  Also, I should point out that while the word “practice” appears throughout, many artists today (including myself) really don’t like this word.  I’ll skip giving reasons for the moment.  Perhaps Ranciere’s “ways of doing and making within the aesthetic regime of the arts” would have been better, though long-winded – and out of laziness I have not yet modified any of that.  However, the word does appear in inverted commas at several points, which I’m sure Matt will appreciate.

I. Double-Headed Histories

    "Look at any word long enough and you will see it open up into a series of faults into a terrain of particles each containing its own void." – Robert Smithson

    "The clear division between reality and fiction makes a rational logic of history impossible as well as a science of history." – Jacques Ranciere

With nearly forty years separating us from the first publication of Tronti’s essay “The Strategy of The Refusal”, a document showing that the struggle against work was actually essential to the development of capital, what to make of it now, in light so many radical, and at times even invisible or largely unnoticed mutations in the constitution of contemporary capitalism?  Perhaps some possible answers can be recognized in Tronti’s formulation that ‘against the old forms of struggle and resistance’ should be installed new forms of political organization and refusal.  It seems apparent then, that to think refusal today should invest in the same formulation – this time polemically positioned against Tronti.  Why?  Because from within the paradigm of “The Strategy of Refusal” is a rigorous division of class – and one that seems to run the risk of merely satisfying a dialectic and binary representational machinism; the categories of ‘worker’ and ‘party’ seem to end up installing themselves within the very representations that the workers would have intended to overthrow, a move which became thwarted by their own becoming-major.  So perhaps some solutions to envisioning contemporary forms of refusal might begin along the lines suggested by Deleuze and Guattari: to think minority instead of class.  To say this does not mean denying that there are classes, or that there is a ruling class; only that refusal, resistance – what composes and calls for them - are not reducible to the antagonisms of a class division.  As the Italian Futurist FT Marinetti once said, “language is the motherload of all culture”, and it is without doubt impossible to follow the consequences of Tronti’s initial formulations without encountering and taking into much consideration all the nominations which have entered and continue to circulate through the “post-Fordist” lexicon as a result of the ‘failures’ of the Italian operaismo: social subjectivity, social chain, multitude, social factory, the general intellect, generic will, compositionism, immaterial or cognitive labour…

In coincidence with the workers movement as a particular history of struggles and theoretical works lay another long history of artistic practices and revolutions that could be said to have aimed at constructing solidarities with such resistances and refusals.  If the artists and workers caught up in these histories shared a common enemy it was certainly ‘capital’ – though such an enemy will always express itself in different forms relative to a given situation or milieu.  In Italy it was the factory; with artists, the museum, institution, or gallery.  In both instances there was a resistance toward the system’s control that manifested itself in the engaged and active search for an outside set against received modes of subjectivity and the “conjugations of the axiomatic” (D & G); a search that concerned itself with the invention of new forms of life and work aimed at the embetterment of society as a whole.  This other history, with loose ties to the attitudes of such localized movements as the Bauhaus in Germany and the Russian Constructivists (or for that matter more diffuse movements such as Dada), initiated new inquiries into modes of aesthetic production conceived through a kind of ‘anti-aesthetic’ which intersected with the ambitions of the Italian workers and autonomia during the 1960’s and 1970’s.  Such coincidence figures into the attempts made by artists during this period to resist both the sedentary space of an elitist institution and the commodity form of the artwork in what came to known as Conceptual Art.

Continue reading “How No Can You Go?”

By Keith | March 25, 2006 | Link to “How No Can You Go?” | Comments (6) | TrackBack

I would prefer not to bore you

    (The following is a guest post by Brian Lamb, author of the weblog Abject Learning.)

If you've been following the symposium this far, it's unlikely I'm can offer you a distinctive analysis of Tronti.   I've really enjoyed and learned a lot from reading the posts and comments this week but my theory discourse skills, never my strength, are presently in a derelict state.  Yet I was drawn to make at least a tangential contribution to this process in part by the power of Bartleby, invoked by Jodi's Long Sunday post on Bartleby in Power which, as Jon notes, was a precursor to this symposium.

I harbour a long-time fascination with Melville's uncanny anti-hero--depending on when I've read the story it's struck me as a marvel of style (Melville writes a Poe story!), as an examination of writing itself, as a covert sci-fi representation of entropic forces dispersing human vitality into the void of cosmic heat-death, or a preview of how of most my favorite twentieth century fiction would eventually define itself.

And of course, there is the satire of capitalism in this "Story of Wall Street".   And Bartleby himself as a figure of refusal.  Though when I enjoy scenes of Bartleby generating chaos in the legal office my Marxist reading is more of the Groucho, Harpo and Chico variety...

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By Brian | March 25, 2006 | Link to “I would prefer not to bore you” | Comments (5) | TrackBack

Five theses on Tronti

What is important about ‘The Strategy of Refusal’ is the strategy of refusal. This is its Copernican revolution, its exception. The rest is noise.

[O]nly afterwards, after a long-terrible, historical travail which is, perhaps, not yet completed, do the workers arrive at the point of being actively, subjectively, ‘a class against capital’.  A prerequisite of this process of transition is political organisation, the party, with its demand for total power.  In the intervening period there is the refusal - collective, mass, expressed in passive forms - of the workers to expose themselves as ‘a class against capital’ without that organisation of their own, without that total demand for power.

Refusal is the strategy of ‘the intervening period’, the hinc et nunc, the long Sunday.  Is it any accident that Tronti reminds us in La politica al tramonto that Kafka was born in Prague the same year Marx died in London?

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By brett.neilson | March 24, 2006 | Link to “Five theses on Tronti” | Comments (4) | TrackBack

Strategy of Refusal of Strategy

    (The following is a guest post by Stephen Squibb, author of the weblog fugitive ethical.)

What is being refused in Tronti’s “The Strategy of The Refusal”?

    "What is generally known as class consciousness is, for us, nothing other that the moment of organization, the function of the party, the problem of tactics – the channels which must carry the strategic plane through to a point of practical breakthrough. And at the level of pure strategy there is no doubt that this point is provided by the very advanced moment in which this hypothesis of struggle becomes reality: the working class refusal to present demands to capital… in the final event, this means depriving capital of its content, of the class relationship which is its basis."

Putting aside the specifics of Tronti’s account of class consciousness for a moment, it is certainly evident that this is a departure from the traditional understanding of the term. But this should not surprise us; Tronti warns at the outset that it might be worthwhile "to confound Hegel's dialectic a bit," by asserting that the working class is a class for itself before it is a class against capital. He is clear that this is a departure not simply from Hegel, but from Marx as well.

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By Squibb | March 23, 2006 | Link to “Strategy of Refusal of Strategy” | Comments (2) | TrackBack

Notes on “The Strategy of the Refusal”

Thanks very much to Angela for being the impetus behind getting this Tronti symposium going.  I'm enjoying it a great deal.  In what follows I deal with a few issues that I am concerned over in relation to a few different thinkers and within Marxism generally.  Some of this may well repeat things I have said elsewhere.  (One of the prices of friendship is that one sometimes runs out of interesting things to say, or simply forgets what one has said to whom, and so one repeats oneself to one's friends.  If this is so here, I apologize, and apologize as well for the length of this post.  I hope that at least in this instance affection beats boredom in the interpersonal emotional game of rock-paper-scissors.)  There are also many other things I wish I could address, and which are I think related to the concerns I deal with here.  I can't do so here due to limits of time, length and ability, and so relegate these matters to future conversation, reading, and discussion.  There's also a great deal in Tronti that I like very much.  I don't spend much time on it here because I'm trying to work out other problems with what I like less.

Tronti begins “The Strategy of the Refusal” with a gesture common in Marxism, that of positing the uniqueness of capitalism:  “the effective development of the productive power of labour begins when labour is transformed into wage labour, that is, when the conditions of labour confront it in the form of capital.”  I take 'effective development' to mean something like 'increase of.'  I'm not entirely sure what Tronti means by 'productive' when he says that labor becomes more productive under capitalism.  Since I didn't understand it, and since I don't like not understsanding things and tend to dismiss that which I don't like, I at first thought this was something I could just leave out in my selective read of the piece.  I no longer think that's the case.

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By Nate | March 23, 2006 | Link to “Notes on “The Strategy of the Refusal”” | Comments (11) | TrackBack

Class and Subalternity

    (The following is a guest post by George Ciccariello-Maher, occasional contributor to the illustrious Wrong Side of Capitalism.)

In thinking about Tronti's essay as well as other work I'm presently doing on hegemony, I found myself puzzling over a statement by Jon Beasley-Murray on the Marxist notion of class. Since Jon is joining us here, and since Tronti’s essay deals directly the questions involved, this is the ideal forum in which to raise the question. In his essay “On Posthegemony” (2003), Jon writes: “Here Marx was wrong: the history of all hitherto existing societies is less the history of class struggle than, at a still more primordial level, it is the history of the struggle to produce class.” This statement is part of a defense of the concept of the multitude as the operative concept in a posthegemonic period, and I would like to discuss briefly how Tronti responds to the same critique but does so within an understanding of class.

The radical character of Tronti’s position on class (and its fundamental proximity, I argue elsewhere, to that of Sorel) emerges most clearly in his markedly non-orthodox discussion of the class-in-itself (Klasse an Sich) versus the class-for-itself (Klasse für Sich). It is perhaps worthwhile to begin by noting that, even for Marx, the so-called “class-in-itself” cannot be reduced to pure objectivity, and we see this even in its alternative formulation as a “class against capital,” a class determined differentially vis-à-vis its enemy:

    This mass is thus already a class as against capital, but not yet for itself. In the struggle, of which we have noted only a few phases, this mass becomes united, and constitutes itself as a class for itself. The interests it defends becomes class interests. But the struggle of class against class is a political struggle (The Poverty of Philosophy). [This sentiment is echoed in The 18th Brumaire as well as The German Ideology.]

Here, we see that the organic link between an oppositionally-defined class and its homogenization through struggle is already clearly present in Marx’s formulation. My point is less to defend Marx than to emphasize an ambiguity in the Marxist formulation, in which, in Jon’s words, we could see “the struggle to produce class” as intimately linked with class itself. In a passage that is so crucial as to be worth quoting at length, Tronti seizes upon this differential character of Marx’s definition to catapult himself beyond it:

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By geo | March 23, 2006 | Link to “Class and Subalternity” | Comments (16) | TrackBack

2 Questions on Tronti

This symposium has been my first exposure to Tronti. I've benefitted from the posts and comments that have appeared thus far.

Most interesting to me is Tronti's insistence on the party, on a form for political action that corresponds to mass passivity at the level of production. On the one hand, refusal (passivity) is necessary to deprive capital of what it needs to control. On the other, the constitution of the party as a political actor is necessary in order to break the hold of the capitalist state. The party then is another space, a political alternative, a new site which does not issue demands but which receives or responds to those of capitalists. So, it seems as if his strategy involves an economic and a political logic, one that separates productivity from struggles and claims, and that establishes a specific task fitting for each.

All I can add at this point are two questions.

Continue reading “2 Questions on Tronti”

By Jodi | March 22, 2006 | Link to “2 Questions on Tronti” | Comments (4) | TrackBack

Minor refusals

(The following is a guest post by Eric Beck, author of the weblog Recording Surface.)

Deleuze says somewhere that the beginning and the end are merely points, that it's the middle that is truly interesting. So it is for Tronti, who almost despite himself affirms that in the struggle against capital the action takes place in the center. For Tronti, the middle is the place of the refusal, nestled between the beginning, the workers as a "class for itself," and the end, the workers as a party demanding "total power." Near the end of "The Strategy of the Refusal," even as he insists that we must move beyond passivity and noncollaboration and as he avows his teleological commitment to the party form, Tronti reiterates that the struggle should be based on "the working class refusal to present demands to capital, the total rejection of the whole trade union terrain, the refusal to limit the class relationship within a formal, legal, contractual form."

So even in his invocation of an end, Tronti returns to the middle, the site where the working class rejects not only the commands of capital but also the institutional imperatives of official labor movements, the cultural authority of working-class intellectuals, and the state, which seeks to reduce the working class to juridical and democratic, i.e., nonpolitical, citizen-subjects. Tronti hints at, but doesn't detail, the ways in which the middle offers the working class fecund ground for creating a politics that gives voice to its refusals. The working class shares the cramped spaces of the middle with other political minorities, women, ethnic and racial minorities, migrants, the disabled. These minorities establish revolutionary connections and create revolutionary becomings in the autonomous space they share, and these minoritarian connections and becomings are responsible for demands that capital cannot tolerate:

The first demands made by proletarians in their own right, the moment that they cannot be absorbed by the capitalist, function objectively as forms of refusal which put the system in jeopardy. Whenever the positive demands of workers go beyond the margins that the capitalist is able to grant, once again they repeat this function--the objective, negative function of pure and simple political blockage in the mechanism of the economic laws. [...] In such circumstances, the demand as a refusal sets off a chain of crises in capitalist production, each of which requires the tactical capacity to make a leap forward in the level of working class organisation.

Continue reading “Minor refusals”

By recordingsurface | March 21, 2006 | Link to “Minor refusals” | Comments (21) | TrackBack

Fantasy sites and the conquistadors of the planet

    (The following is a guest post by Roger Gathman, author of the weblog Limited, Inc.)

What would one have said, in 1976, about Tronti’s essay and the future it forecast? Here is my tendentious and unfair opinion: one of the things one could have forecast is that, as the privileged site of production became less and less like a nineteenth century factory, the term 'factory' would experience a metaphorical creep. And that this creep would disguise the increasing blurring of the analytic distinction between production and consumption, and thus miss what distinguishes the Keynesian period from its predecessors.

Let’s illustrate this with a little story. When Tonti writes: “… capital reach[ing] a high level of development it no longer limits itself to guaranteeing collaboration of the workers - i.e. the active extraction of living labour within the dead mechanism of its stabilisation - some-thing which it so badly needs. At significant points it now makes a transition, to the point of expressing its objective needs through the subjective demands of the workers, ” I imagine he was not thinking of the embodiment of that demand in union pensions. But, indeed, in the forties, fifties, sixties and the seventies, a lot of money flowed into union pensions (I am talking about the U.S.), and that money did a lot of things. I’m not talking about the most colorful things, like the way Teamster pension funds built Las Vegas. I’m talking about your standard pension investments in equities in general. In the eighties, those funds – to the disappointment of the new breed of body snatching Randians, eager to take down the traditional enterprise structures and replace them with a new structure dedicated to the proposition that an enterprise is an aphid, and the upper management is a super-ant – were mobilized by the traditional managers of capitalist enterprises against the LBO merchants. Schwab and Thomas, in a review of Union pension investment patterns published in Michigan Law Review, Feb 98, were much more prescient about labor and its place in influencing the internal composition of the capitalist enterprise than Tronti was in 1976:

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By rogergathman | March 21, 2006 | Link to “Fantasy sites and the conquistadors of the planet” | Comments (17) | TrackBack

The new barbarians

TrontiRe-reading "The Strategy of Refusal," the verve, confidence, and daring of Tronti's formulations are striking.  What's established, then, in this and other early examples of Italian operaismo, is a style of intellectual engagement: brash, iconoclastic, sweeping, taking no prisoners. 

This is a style of writing that aspires to separate itself radically from all intellectual production hitherto, indeed from intellectuality as it has been traditionally conceived tout court.  No more "organic intellectuals" of the Gramscian inheritance; these are but parasites of the Communist party and the labour movement (16). 

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By Jon | March 20, 2006 | Link to “The new barbarians” | Comments (9) | TrackBack

Refusal

France2006_1
[via]

And, of course, a reminder of the upcoming symposium on Mario Tronti's "The Strategy of the Refusal". The schedule of contributions is as follows: Monday 20th: Jon Beasley-Murray | Tuesday 21st: Eric Beck, Roger Gathman | Wednesday 22nd: Jodi Dean, Steven Squibb | Thursday 23rd: Nate Holdren, Geo | Friday 24thBrett Neilson, Doug Johnson | Saturday 25th: Craig McFarlane, Brian Lamb | Sunday 26th: Keith Tilford, Angela Mitropoulos.

By s0metim3s | March 14, 2006 | Link to “Refusal” | Comments (0) | TrackBack

The Strategy of the Refusal

Tronti Mario Tronti's work formed something of a pivot in the development of communist politics in Italy, and informed many of the premises, or at least touchstones, that would become more familiar to English-language readers through the work of Toni Negri, Paolo Virno, Silvia Federici and others (such as Midnight Notes in the US), and as it inspired a subsequent lexicon of exodus, desertion, lines of flight and autonomy. Tronti's signature text is Operai e Capitale, a compilation of essays written in the mid-1960s, some of which have been translated into English (see below). [The entire book has been translated into Spanish and French, and parts in German, as far as I know.]

The concept most closely associated with Tronti is that of 'refusal'. In his analyses of the character of class struggles in the 1960s, there was, he argued, a global pattern of struggle which took the form of a refusal, of the struggle against work, of absenteeism, widespread non-co-operation and the desertion of traditional forms of working class representation.  He argued, among other things, that it is the refusal which induces the composition and strategies of capital and, more controversially perhaps, in order "to struggle against capital the working class must struggle against itself insofar as it is capital".

There is much more that could be said here, much that might complicate such a perspective, elaborate on it, contend with it. But this is only a brief introduction for the purposes of announcing a reading of Tronti's "The Strategy of the Refusal", symposium-style.

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By s0metim3s | March 1, 2006 | Link to “The Strategy of the Refusal” | Comments (15) | TrackBack